Top 50 Films of 2012: The Top Ten

So here we are with my Top 10 Picks of 2012 and as always other opinions are available but these ten just happened to stick with me throughout the year.

Amour
Director: Michael Haeneke

A brilliant portrayal of everlasting love and the tragedy that life begins, Haneke's simple film told the story of Emmanuella Riva's retired music teacher Anne  who started to lose her mind after several strokes while her husband Georges tried to care for her in the best way possible. Setting the majority of the film in the couple's flat Amour relies on simple emotion as Anne's memories start to fade and Georges begins to get more frustrated. Though the opening scene already tells us what's in store it doesn't make the pivotal scene any more shocking and by the end of the film I was emotionally exhausted and for that reason alone Amour gets a place in my Top 10 films of the year.

Argo 
Director: Ben Affleck

Who would've thought that Ben Affleck would one day be one of the most critically acclaimed directors in Hollywood but it's gradually happened and with his third film in the director's chair he has proved himself a talent to be reckoned with. Argo is one of those 'strange but true stories' that is part hostage thriller and part Hollywood satire as Affleck's CIA operative concocts a phony film to get American hostages out of Iran safely and ropes in Alan Arkin's producer and John Goodman's make-up artist to help him. The result is perfect as Argo has some really big laughs but also a tense final act as I was willing the hostages to get out of Iran safely. As it's success on the awards circuit has proven, Argo is certainly a film that has a broad appeal and I personally think it is the best mainstream movie of the year.

Beasts of the Southern Wild 
Director: Benh Zeitlin

I wasn't quite sure what to expect when I first sat down to watch Beasts of The Southern Wild but what I got was a dark fairytale about floods, family and belonging. The film centres on a Louisiana community known as 'The Bathtub' and on five-year old Hushpuppy who lives with her erratic father Wink. Part of the charm of the film is that we see the world through Hush Puppy's eyes and young Quevenzhane Wallis is utterly breath-taking in the lead role giving what I believe to be the performance of the year. Another masterstroke was to cast non-actors in the lead roles therefore Beasts has an all-together realistic quality which counterbalances it's more fantastical elements. All in all a visual masterpiece, that is fantastically acted and stays with you long after you've left the cinema.

Headhunters 
Director: Morten Tyldum

When I was watching Headhunters I thought I knew exactly where the plot was going but then it took me in a completely different direction and that's what I loved about it. Mortern Tyldum's stylish crime movie was part art heist caper and part cat and mouse thriller with some great action sequences but along the way it also retained a sense of humour about it. Askel Hennie's lead character was initially a bit smarmy however as his life starts to unravel we begin to sympathise with him while Game of Thrones' Nikolaj Coster-Waldau was perfect as the powerful antagonist. This was a visually engaging, well-written thriller that had a great ending and once again proved that Scandinavian film-making is currently at its best.

The Hunt
Director: Thomas Vinterberg

Another film that proved this point was Thomas Vinterberg's The Hunt which had a simple message at its core namely that 'mud sticks'. This beautifully stylised piece saw Mads Mikklesen's divorced nursery school assistant accused of exposing himself to a little girl which was a lie that spiralled and essentially destroys his life. The film explores the mob mentality of a small-community and sees Mikklesen's character slowly ostracised from his former friends to the extent where he is no longer allowed to shop in the local store. Mikklsen's performance is one of the best I've seen all year and it was great to see him playing the wronged everyman who is just trying to get his life back on track. The final scene perfectly demonstrated that a lie that is told never really goes away and I have to say this was another film that really struck a chord with me emotionally.

Once Upon a Time in Anatolia 
Director: Nuri Bilge Ceylan

Initially viewed as a police procedural this Turkish film became much more than that as we followed several characters involved in the hunt for a dead body. Filled with some great cinematography and some very well-drawn characters, Nuri Bilge Ceylan's film wasn't above swerving us and taking us on a completely different journey in the final chapter of the story. The reference to Sergio Leone's films is more than apt as both are beautifully shot and also feature three very different characters who are all involved in the same story for different reasons. A combination of light-and-shade, a great script and terrific central performances made Once Upon a Time in Anatolia stick in my mind for many months and made it hard for me not to put it in this final ten films of the year.

The Raid 
Director: Gareth Huw Evans

While there were a ton of high-octane action thrillers produced by Hollywood this year my favourite action film of the year has to be this Indonesian-effort directed by a Welshman. The Raid has the simplest of premises namely that a SWAT team has to attempt to arrest a slum lanlord by entering the tower block he owns. However this is easier said than done as the landlord sets all of his tenants onto the cops who are picked off one by one until only a few remain. The action was full-on throughout with a mixture of shoot-em-up and old school martial arts being employed to the fullest effect however there was also a story of two estranged brothers that gave a much needed emotional edge to The Raid. I have to say that I was totally engrossed from beginning to end and though we're told that violence never pays it certainly did in terms of this film.

Rust and Bone 
Director: Jacques Audiard

The French cornered the market when it came to believable love stories this year and while Amour was an emotionally draining exercise, Jacques Audiard's film was a much more traditional romance. Audiard is much better known for his male-centric films, such as A Prophet, however here he put Marion Cotillard's whale trainer Stephanie front and centre as a tragic accident means that she has to change her life completely. Over a period of time Stephanie develops a friendship with slightly selfish single father Ali, played by newcomer Matthias Schoenaerts, which develops into something more as the story goes on. Both Ali and Stephanie are believable well-drawn characters and both central actors give stunning performances while, when combined with some great visual set pieces, make Rust and Bone one of the most memorable films of 2012.

Searching for Sugar Man 
Director: Malik Bendjelloul

It's been hard deciding which of this year's documentaries to put into the Top Ten but I finally decided on Malik Bendjelloul's film about a musical odyssey with a surprising twist. The film concerns unknown American musician Rodriguez who, while unheard of in his home country, gained a huge following in South Africa as his songs became the soundtrack of the Apartheid movement. As the story move on two Capte Town natives set out to find out just what happened to Rodriguez and how it was he died with the conclusion being more shocking then either could imagine. This was a great documentary as it was part mystery, part musician profile and part life-affirming story that had plenty of warmth throughout and really made me want to learn more about the enigmatic Rodriguez. 

Shame 
Director: Steve McQueen
The second pairing of Steve McQueen and Michael Fassbender resulted in a film that shines a light on the seedy side of New York as we followed the exploit of Fassbender's sex addict over a number of months. Fassbender's performance alone would be enough to make this film one of the year's best however former artist McQueen's eye for detail meant that this was also one of the most beautifully shot pieces of the year. Add to that the fragile performance by Carey Mulligan as Fassbender's sister and you've got a trio of great reasons why Shame was one of this year's best films and why Fassbender is one of the greatest screen actors working today.

Well there you have it my Top 10 films of 2012 in detail. I'll see you back here in around twelve months' time for the countdown of the best films of 2013.

Films of 2012: Half Term Report

So we're officially half way through the year now folks and I thought I'd just bring you up to date on the current rankings so far.

Best Films of the Year so Far
Of the 120 films that I've watched there are 17 that have garnered a mark of 8 or higher in my reviews and they are:

Carancho

Coriolanus

Corman’s World: Exploits of a Hollywood Rebel

The Descendants

Even the Rain

Headhunters

The Hunger Games 

Juan of the Dead

The Kid with a Bike

Like Crazy

Marley

Martha Marcy May Marlene

Moonrise Kingdom

The Muppets

The Raid (Possibly my favourite film of the year thus far)

Shame

Young Adult 

Worst Films of the Year So Far 

 And conversely ten films have got a score of 2 or less and they are: 

 

Deviation

The Devil Inside

The Divide

Gone

Hard Boiled Sweets

Jack and Jill

Piranha 3DD

Project X

The Sitter

This Means War

So there you go a lot of treats and a lot of duffers. Do you agree with my lists? If not tell me what you think should be in either category by leaving a comment below.  

Review No.64: Headhunters

We journey now to Scandinavia which in the couple of years has produced some of the most talked about TV programmes as well as the world-renowned Girl with the Dragon Tattoo series. Another popular Scandinavian is Norwegian Jo Nesbo whose books have sold millions of which the first to be adapted his the brilliant Headhunters. Set in Oslo, Headhunters focuses on Aksel Hennie's Roger Brown who believes he is too small and ugly to satisfy his beautiful wife so has to keep buying her things such as a large modern house as well as expensive jewellery and money to improve her art gallery. Though Roger has a well-paid job as a head-hunter this still isn't enough to pay the bills so he makes a side-line in stealing pieces of art and replacing them with reproductions which he does with an acquaintance who works for a security firm who switches off the alarms when Roger is in the house. Roger uses his role as a headhunter to scope out information about Norway's wealthy elite who are the owners of these paintings so when his wife introduces him to Clas Greve, who has inherited a famous rare painting from his grandmother, he feels he must try to recruit him straight away. However Clas Greve is no push-over played by Nikolaj Coster-Waldau, best known to the rest of us as Jaime Lanister from Game of Thrones, he is a former military man whose security firm past means he his always alert. After the first 30 minutes you think you know where the film is leading however during the robbery Roger makes a discovery that changes everything and from there the film really picks up the pace.

To say any more about Headhunters would be detrimental to your enjoyment of it and part of the reason I enjoyed this film so much was because of the element of surprise. From the off-set Morten Tyldum's film was slick and stylish while Aksel Hennie's voice-over introduced us to a man who compensated for his lack of physical stature by pleasing his beautiful wife and stealing valuable works of art. This is a man who is obsessed with appearance from his house down to his locks of blonde hair which do play a key part throughout the film and give the title a double meaning. Hennie is brilliant in the lead role making you route for a man who is both a thief and an adulterer mainly because he is painted as a victim of circumstance. Coster-Waldau is also a brilliant antagonist whereas Brown is small and nervous this man is tall and confident with a certain swagger you can only pull off with being that good-looking. As well as being packed full of wild-action the film is both funny and at times touching when dealing with the true feelings that Roger's wife Diana has for him. For me this is right up there with the recent Scandinavian classics such as The Killing on TV and the original Girl with the Dragon Tattoo films as Headhunters gave me the same feeling I had as I did when I first saw Noomi Rapace on the big screen. A clever ending to a film ties together some of the earlier points made by the script and I believe most of the audience left happy as will you when you track down this film on DVD trust me you won't be disappointed.

Verdict: A cracking action film that is also funny, clever and sweet with two breath-taking performances and some great set pieces. For me the film of the year so far so it gets 9/10